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Cobra mesh screen

Cobra mesh screen

€7.440,00 EUR
€7.440,00 EUR
Sale Sold out
Taxes included. Shipping calculated at checkout.

SKU: DV2404

Cobra mesh room divider, featuring a metal mesh set with semi-precious stones, signed by Jordan Joevin.

In his pursuit of classical aesthetic harmony, Jordan Joevin favors continuity over rupture. He combines raw materials, artisanal craftsmanship, and decorative techniques, paying tribute to crafts that have changed little despite millennia of technological advances.

Designer: Jordan Joevin
Dimensions: W.97CM / H.177CM
Material: Metal, semi-precious stones
Color: Black

DELIVERIES AND RETURNS

AVAILABILITY AND SHIPPING : This product is in stock and ready to ship within 48 hours. We are committed to providing fast home delivery.

RETURNS : Returns are free within 14 days of receiving the product. Refunds will be issued within 14 days of receiving the returned item. This does not apply to bulky items, such as furniture and sofas, which are not eligible for free returns.

INTERNATIONAL SHIPPING : For all international shipments of bulky items (furniture and sofas) (outside mainland Europe), a quote will be provided upon request. Please contact us for more information.

CUSTOMS FEES : Depending on the destination country, customs fees may be applied upon receipt of the order. These fees are the sole responsibility of the customer.

SECURE PAYMENTS

We accept credit card payments, including Visa, Mastercard, and American Express, as well as quick checkout with PayPal and Apple Pay. In addition, we offer payment plans with Klanna.

CUSTOMER SERVICE

The team at Galerie Paradis will answer all your questions from Monday to Saturday, 9 AM to 7 PM (GMT).
CONTACT@GALERIEPARADIS.FR
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JORDAN JOEVIN

JORDAN JOÉVIN, FRENCH SCULPTOR AND DESIGNER, BORN IN 1992 IN ORANGE, LIVING IN MARSEILLE.
SHAPES A UNIQUE WORK WHERE THE CRACKS OF THE ASPHALT AND URBAN TEXTURES BECOME MATERIALS OF A CONTEMPORARY MYTHOLOGY.
Trained at the Fine Arts School of Montpellier and at the Sint Lukas Institute in Ghent, he draws from the colours of the city to ennoble so-called poor materials: patinated steel, concrete, wild plastic and elevate them to the rank of poetic fragments.
HIS SCULPTURES, SUCH AS THE KNEELING FORCE (FURNITURE-SCULPTURE, 2025), BLEND CLASSICAL REFERENCES AND THE RAW LANGUAGE OF FUNCTIONAL ARCHITECTURE, CREATING HYBRID OBJECTS BETWEEN ANCIENT RUINS AND POST-INDUSTRIAL VESTIGES.
AT THE PARADIS GALLERY, HIS WORKS ENTER INTO A DIALOGUE WITH THE RAW SPACE OF THE OLD FACTORY, REVEALING A TENSION BETWEEN URBAN MEMORY AND PLASTIC REINVENTION.
THE COLLECTION