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Overflowing marble tray console, 1940s

Overflowing marble tray console, 1940s

€600,00 EUR
€600,00 EUR
Sale Sold out
Taxes included. Shipping calculated at checkout.

SKU: DV2227

Marble tray console in an eventful and overflowing shape, dating from the 1940s. The high feet with a square wilted iron section painted white are twisted halfway up and connected to each other by a slightly corrugated spacer bar. The marble tray can dissociate itself from the wrought iron reinforcement, allowing the transport of the part to be easy. Of French design, this console remains in good general condition. 

Dimensions: l.73cm / p.34cm / h.83cm
Material: marble, wrought iron
Color: gray, white
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Availability and shipping : This product is in stock and ready to be shipped within 48 hours. We are committed to ensuring fast home delivery.

Feedback : Returns are free within 14 days of receipt of the product. The refund will be made within a maximum period of 14 days after receipt of the return. This condition does not apply to bulky products, including furniture and sofas, which are not eligible for free feedback.

International shipping : For any bulky products (furniture and sofas) internationally (excluding continental Europe), a quote will be established on request. Please contact us for more information.

Customs fees : Depending on the country of destination, customs fees can be applied upon receipt of the order. These costs remain exclusive to the customer.

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CONTACT@GALERIEPARADIS.FR
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JONATHAN COHEN WORKSHOP

"BOTH DESIGNER AND ARTISAN CABINET MAKER, JONATHAN COHEN WORKS WITH WOOD IN A SCULPTURAL LANGUAGE, WITH VARIABLE GEOMETRIC SHAPES. PIECES OF CHARACTER, WITH Clever PLAY OF PROPORTIONS, WHICH DEPLOY A PLAYSICIOUS AND EMBODIED DECORATIVE WRITING. THE STYLES INTERTWEL, CARESING THE ART DECO AND MEMPHIS MOVEMENTS, AND GIVING BIRTH TO A SERIES OF TIMELESS OBJECTS, HIS TRAINING AS A GRAPHIC DESIGNER IMPROVES HIS WORK WITH PATTERNS, AN ABSTRACT FORM OF TYPOGRAPHY, UNDERSTOOD LIKE THE RHYTHM OF LETTERS ON PAPER, DECORATES SOME. OF HIS STAMP-DYED CREATIONS ON WOOD. HAND APPLICATION BRINGS SINGULARITY AND IRREGULARITY TO THIS AESTHETIC OF PRINTING. JONATHAN COHEN
THE COLLECTION